Apr 11, 2003

What keeps a police dog going?

(The opportunity to reflect on the motivations of a canine cop presents itself at the University Circle signal: a representative from the back of a police van ahead of me provokes the question)

Why does he do it? Does he understand the great service he is providing? Or is it pure training, a conditioning of his doggy mind achieved over months of instruction, followed by the meat-bowl? Surely, the timings of the job are not settled or pleasant, so say its human counterparts (not the kutte kameene of the human worlds, but the men suffixed in the police-* ). Nor is the potential criminal-customer-force likely to be appreciative of these working conditions. But does Zanjeer crib while being asked to perform mal-odoriferous tasks at airports at 1.00 a.m. or does he wag his tail to keep his pension benefits intact? If we knew more about what makes them tick and perform their job decently, perhaps we could get more of them to replace the disgruntled parts of the force, and learn how to civilize the savage 21st century working methods. And are they the least corruptible members of any squad, only likely to be derailed by the possible of the juicy bone? I read somewhere that the dog-handlers are encouraged not to get too close to their dogs, for no one knows in the dangerous business of law-and-order, who may fall next.

(The lights decide to switch to green: the van ahead speeds away)

Perhaps, he does it for the view from the back of the open van, with the perk of the air gushing through his collar on a hot sunny day.

All my life, I've usually been put in positions of extreme solitude: it's as if I've been in training for it. One such phase flits through right now. Means less and less human contact, like working in some lab on the moon in an Arthur C Clarke story. And, he comes back to be my biggest companion, floating around, unbanished by any melody-running-from-earphone-to-phone, providing entertainment, asking tough questions and providing the hug after inducing the down-in-the-dumps: my own jetsam-flotsam of thoughts swirling around in an often uncontrollable Molotov cocktail with unpredictable results. My mind. Like Lecter's memory palace or Andy Dufreane's musical retreat, it doubles up as refuge or as instigator.

It tugs at sanity and also reinforces sense. Sticking by me, conjoined as a twin.

Apr 9, 2003

Home, Joy, Jug-dish

The tagline for this one should have read:
They've lost their Home. You lose your Joy. (And Jug-dish is just me trying to be clever).

Savouring the pleasures of in-flight entertainment on the Paris-bound flight, I ran into this bland-as-befits-Continental-cuisine film debut-directed, some say, by the same man who made his acting debut in Saaransh though I refuse to believe that. This must have been Anupam Care-not.
The problems with Om Jai Jagdish is that neither is it a good film, but more sadly, nor is it a really bad, awful, despicable film. It just makes no sense at every level: It wants to be something but doesn't know how to apart from dressing like the target. It is so feeble that even passionate criticism is blunted into a sopoforic dismissal. Here are a few reasons to partake of the offerings from the Jug & dish:

- To see how Mahima Chaudhari can go from marrying a well-scrubbed Anil Kapoor (who no doubt buys licensed versions of Windows for his home PC - that nice a man) in frame 33 to playing with her 10(?) year old son in frame 35: the son probably was a wedding gift in frame 34 which I missed when I was reaching out for the orange juice.

- To indulge in Fardeen Khan's dream academic life: heavily subsidised, hence leading to the loss of the Home. Because he brings home foreign-bred bahu (Come in Urmila-jee) who prefers mineral over Municipality in water, he causes the rifts. They do have one enduring quality: They possess white-and-cream colour coordinated clothes just in time to participate in a family ballad.

- To see how one family seems to have run away with Akhand-Bharat's share of sincerety, software and automotible talents: Anil Kapoor forgot to remove the label of "righteous indignation", Baby B even makes an Ursula Andress-like appearance from the waves in his quest to "make a software better than Windows in 100 seconds", and Fardeen Khan's spanner is proof that he built the fastest car ever.

- In trying to lure the software-weaned-masses of the 21st century from Quake to the theatres, Baby-B essays a challenging (and encrypted) role, clanking at his keyboard to break into the college computer to retrieve question papers for his friends (a file named Question-Papers-for-tomorrow's-exam just to help them, of course) and setting up a webcam to show mankind what progress was all about, ultimately resulting in the greatest piece of code in the history of mankind: Om, the eponymously titled intrusion-detection program that succeeds in retrieving the Home directory from venal villains. I was sobbing into my kerchief: QA apparently couldn't find a single bug in it and was hence laid off, a poignant reminder of what Indian software talent can do, especially in 100 seconds.

I can go on singing these odes, but will refrain out of a sense of respect for Waheeda Rehman (did she need the money?). Tara Sharma reportedly used up a lot of sun-lotion and didn't know whether she misplaced her hanky or costume. Urmila Matondkar was the only one, according to me, to get it right: her whiney, stereotypical-I-forgot-how-to-sing-Om-J-J-unlike-Rani-Mukherjee atleast made you want to switch to something else. The rest just induced a strange stupor.

Post-script: Considering that the return journey featured Chor Machaye Shor, OJJ was a stirring example of all that is right with the Hindi Film industry. And last I heard, the Universities of Maharashtra had agreed to include this film in the essential subjects of the computer engineering curriculum.

"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep" :: Scott Adams
This addition joins my Quote Hanger (on the right sidebar).
It's funny how the same words can evoke different things for different people. Currently on the third leg of the Hannibal trilogy by Thomas Harris, I noticed how he uses the word "steam" to convey a sense of the cold. I have always associated the word with "hot", "piping", even "anger". As in "she lifted the steaming idlis from the cooker". Whereas he invokes it as in "Breath steaming in the cool of the winter air".
Essentially a case of some warm air meeting something cold air, but for me it was usually "very hot meeting normal" against his "lukewarm meeting cold".
Conditioning.

Apr 5, 2003

NDTV's future
Since NDTV's contract to provide content for Star News ended on the 31st of March, major developments are starting to happen in the world of the Indian news channels.
NDTV finally cashes in on its extremely valued brandname, with 2 new channels in Hindi & English. More information from this message directly from the horse's mouth i.e Prannoy Roy speaks (seems we'll be seeing more of him in front of the camera again). The big news in that announcement is the return of the extremely popular The World This Week which introduced quality news programming into our lives (even on Doordarshan) on Friday nights. What's not clear to me is when the channels come on air.
Meanwhile, the post-NDTV Star News has a modified logo with the "News" in the logo written in Devanagari and new anchors (some lured away from rival Hindi news channels), in keeping with its almost 100% Hindi broadcasts.
Also, very quietly and lost in all of this, Sahara has launched a news channel of its own (which can be spotted in the inevitable channel surf spray).

Apr 3, 2003

Couple of more friends seen with their thoughts in the blog-space:

Pooja Shirolikar talks about You and I.
And Entelechy has a collection of passages and poetry, a theme-based bibliophilic blog.

Suhasini is one of those assertive, capable-of-significant-acting-performances (Sindhu Bhairavi being one of the most noted ones) actresses that you get from time to time: a quality that does restrict their opportunities in the commercial stories universe. And like Shobhana, Suhasini has got films in her family: the daughter of Charuhassan and niece of Kamalhassan and of course, wife to Mani Ratnam. Almost a decade ago, she made her directorial debut with her film Indira, a thoroughly well made film that keeps your faith in film-making alive.

Indira is placed in the rural village setting, more accurately the inter-caste, inter-family ridden-with-strife atmosphere that is unfamiliar to urban-types like me. A more famous and dramatic example of a Tamil film in such a milieu would be Bharathan's Thevar Magan of course. In short, veshtis and aruvals and people rushing through green rice fields dominate the screenplay's more intense moments. Indira features similar components to the frame, but its novelty is about how a woman is thrown into such a traditionally male dominated and usually intimidating setting. The story is optimistic and the denouement is comforting, good and bad are clearly identified, and the movie-experience is very satisfying. If I remember correctly, Santosh Sivan is the cinematographer (In the usual Mani Ratnam crew of that time, only the word "Suhasini" seems prefixed additionally to the Director's name, and rarely has any director, leave alone a lady director, had such ample resources to support her in her debut) and his sweeps over the fields are of an assured quality. The score is one of the best of Rahman's career; a folksy, offbeat set of songs with the standout Nila that gave Harini her first big hit. The cast is very impressive, the ensemble providing excellent company to the lead actress; Nasser, Arvind Swamy, Radha Ravi et al deliver. The eponymous actress was quite a talented find: Anuradha Hassan (a niece of Suhasini's though I still don't know the exact familial connection) performs in a standout performance in what seems to be her debut. Where she disappeared after that, I don't know, but she recently re-appeared in a TV serial made by surprise, surprise, Suhasini. In fact, having watched this, I wondered why many of these naturally talented people don't give us more to cheer these days: where are Arvind Swamy, Anu Hassan and the director Suhasini these days?

Unfortunately, films like Indira will not go down in cinematic history: neither fame nor notoriety will highlight its name in a cinematic encyclopaedia. One more example of the many better-than-average films that won't get seen by too many outside its small region of exhibition. Though it was dubbed into Priyanka for Hindi audiences (a trend of the mid-90s started by Mani Ratnam), there was no way it could do well in a mass release elsewhere: the localized settings would not make into the heads of the populace. But atleast the viewer that can overcome the language barrier and is willing to stretch a little to watch a good film would not be disappointed with Indira.

Repetition, repetition
This has been commented upon in the past and thrashed out at length in different fora, but I felt compelled to talk about it again. (Almost?) Every A.R.Rahman music score seems to have a song in which the lyrics have two repetitions of the first word or principal refrain. The number and consistency of such occurences is quite startling. By way of examples: Chinna Chinna Aasai, Rukmani Rukmani: Roja, Ghanana Ghanana: Lagaan, Humma Humma, Uyire Uyire: Bombay, Tanha Tanha: Rangeela...: the list is large in number.
I wouldn't know if this is a conscious decision between the lyricists working with this music director, or it is an unconscious expression of what works in the world of popular film music. Is it a spillover of the ad jingle making instincts? Does it contribute to a certain degree of lyrical dumbing down that puts forward catchy, syllable repetitions and alliterations? It does not always indicate dumbing down of course, for I wouldn't consider Thamizha Thamizha (Roja) or Kandukondain Kandukondain to have poor quality lyrics. But it is an interesting aspect to the composer's body of work over a decade that does merit thought.
After a while, got the chance to listen to Sambo Sambo from Puthiya Mugam once more. Something in it greatly appeals to me, and I cannot put my finger on it. Suits the situation perfectly, a gangster's adda with the molls prancing around. Light percussions, a quick start to the song without the customary lengthy instrumental prelude, a good addition to what we used to call light music about 10 years ago.
Quietly, like a devotee gathering flowers...
--Translated from Tamil
Another appealing simile.
Ullu kahi.n ka

Life is now 180 degrees out of phase.
"Look! There's Ursa Major!" is more of a reality than "It's 37 degrees C today too".
Venus stands transfixed in the morning sky than the Sun glaring into my eyes.
Breaking News happens somewhere in Chicago rather than on a cricket field in Nagpur.
Married to the thought of sweet, uninterrupted sleep.
Counting down to 6.00 a.m...
Coffee at 3.00, 12 hours behind schedule, with the perfect,uninterrupted view of the empty roads.
Caffeine is a delusional attempt at keeping Morpheus at arm's length.
Toothpaste on the brush, twice, at 8 and at 4 like some special news bulletins.
Thursday feeling like Wednesday.
Human contact reduced by 67%.
Staying up all morning to watch a vaunted movie!
Homer at 3.30, Frasier at 5.00, Jerry at 6.30!
Food, like a struggler in entertainment, does not know when it's on next.
No sense of martyrdom or challenge, just conscious of a quiet survival instinct that doesn't know if it is overdoing its bravado or making too much out of an inconvenience.

Apr 1, 2003

They beckoned, they enticed. With money in my pocket and a willingness to spend, often lavishly, without the customary caution and comparison that would have permeated purchasing back home, I was pulled into a web: invisible threads luring my attention. "Take me" they cried, and who could resist the glittering temptation? I succumbed. Later, I recovered just in time to re-fasten the grip I had rapidly lost on my money-purse: but the damage had been done.
That's what happens when I go to a new place and find bookstores all around me: garrisons of summoning books, "come-here-to-me" enticers in Dawson Street & O'Connell Street with Eason's & Reads (not as ubiquitous as Burger King outlets, but more than in your average city): The books were not very cheap, but a strange surge of shopping mania swept me and I found myself holding books and wanting to buy so many of them: I would have never dared to contemplate spending so much in normal circumstances. Since, I told myself, I wasn't going home with any Irish-chaap clothes or Japanese electronic goods, might as well splurge on books. After the first binge, I had tasted the sweetly addictive sense of piling up books. At some point, I decided to break free of this very scary mercantile obsession: never having been a "shopping type", the strange gravitation to a store to browse and purchase was novel and even exciting!
But in summary, here's all the stuff I got. I bought them for various reasons: of non-availability back home, of smelling a good bargain (one of the days was World Book Day providing a discount opportunity, also note that "bargain" may not, translated into rupees, seem the right word), of old favourites in a flea market sale and plain "I've got the money, let me buy the book" arrogance.

The books were:

The Satanic Verses: Salman Rushdie
The Hannibal Lecter trilogy: Red Dragon, The Silence of the Lambs, Hannibal: Thomas Harris
Fermat's Last Theorem: Simon Singh
Six Easy Pieces: Richard Feynman
The Salmon of Doubt: Douglas Adams
The Blind Watchmaker: Richard Dawkins
Darwin's Dangerous Idea: Daniel C. Dennett
Do Androids Dream of Electric Sheep?: Philip K.Dick
Adolf Hitler: My part in his downfall: Spike Milligan
Stanley Kubrick: A Biography: John Baxter
and two more chota-mota books.

But the find of the trip, though not a book, was undoubtedly the Radio version of The Hitchhiker's Guide to the Galaxy, Fit One to Fit Six. I didn't get Phantom's in the Brain inspite of some frantic hunting, but will probably need to order it. The only problem is: when will I read all these books...

Mar 26, 2003

Post it
Though people have been so unusually forgiving this time, the fact remains that we lost by a large margin, we had more than just can be explained by an off day and there wasn't much left even to pray after the first 10 overs had gone by.
It was easily the biggest match in terms of importance I watched in my life, but for most of the time, it quite didn't seem that way, nor did it turn out that day. This World Cup has been cruelly severe on any weaknesses, fully shorn of any romantic results and the mild, weak and meek had no gifts coming their way. Contrast this to earlier Cups: Pakistan's incredible escape from England thanks to the showers that also unceremoniously dumped the South Africans like an irate schoolmaster mercilessly failing the class dunce not once but twice. Or a fist pumping, "Comm-onnn" yelling, leg break turning Shane Warne getting rid of Gary Kirsten while the Turbanator couldn't believe his eyes on this dual-in-one spinning/seaming wicket at The Wanderers. Or Kapil Dev's unrecorded moment of magic at Tunbridge Wells: contrast it to a well watched Fleming against the South Africans (why are they in every wow-story in the Cups?). Or at least a modern and aging Arjuna late cutting to third man to complete the grudge that began with many allegations involving colours, ancestries and most of all, the saga of the right-elbowed bowler and the right outstreched hand of a portly man: All we got close this time was Ganguly waving goodbye to the Kiwis. Rhodes broken, Donald shaken and stirred, De Silva running out, Warne medicated, Hussain? na-ssir!, What are the memories of this World Cup? Rain teasing millions of Indians threatening to be the saviour in the final? The quickly clearing clouds stamped home the message: expect no freebies.

And for the umpteenth time, yes, we got it dead right by bowling first, for proof, please refer the New Zealand v India match in the Super Sixes. There on a pitch that seemed more placid than at the final, Ganguly called correctly with Zaheer & co. reducing the pre-tourney tormentors to 140-odd. I say this though I believe in big games it is better to bat first and let the opposition chase: it only takes 10 good balls to get 10 wickets, even if the total is 150, but chasing 350+ is going to probably happen only once in the history of the game.
For those who have only watched the final, it would be an abject display of India's past failings, but we believers would have to look at the overall tournament and say: "Not too bad". But even we must remember: "Opportunities like these don't come knocking each day!". Look at Pakistan: 4 years ago, steaming down the pitch and now en masse exiles. Except for New Zealand and India (that too over the last 18 months), every team has gone downhill. Except for Australia, who are increasingly being left out of everyone's thoughts about cricket because they've managed to raise themselves psychologically into a bracket above the rest. Zimbabwe (pardon the unkind pun) de-Flowered after losing Johnson and Goodwin earlier, South Africa mentally disintegrating, so much that for the first time probably since the Nawab of Pataudi, the cricket world sees a young captain, chosen more for his brashness (Aussie-copying?), an admission of empty barrels, England who are great cricketers only in the fertile minds of the English press, the Lankans bumbling their way about, and the Windies trying their best to undo their gains of the last year. It has got so bad for the Pakistanis that even the Indians are feeling sympathetic for them. Will we see the Wasim magic again? Me thinks not.

With all the nosediving of cricketing standards being brutally exposed in the World Cup by upstarts and champions alike, the only happy time was had by the Indian fans. Gone were the days when we would hope to sneak into the next round through the cat-door, hoping to metamorphose into a lion (for one day only) in order to win the finals: we, more than anyone else (barring our immediate Western neighbours) have taken full advantage of the "uncertainties of cricket". This time, we kicked the door open, marched in boldly, much in the vein of Yuvraj Singh leaping over the gates at Lord's under the noses of the snooty gatekeepers that magic day in the Natwest Trophy. And ironically, the one thing that we had harnessed, we chose to leave at the hotel rooms: our strength of mind. Indian teams of the past hardly expected to win: when it happened, there was always something left unexplained, unrepeatable, defying analysis. This time, it was un-miraculous, expected, players saying "kya yaar, Kenya se kyu.n haarenge, mai.n dikhaataa huu.n 40 for 3 se kaise jeetna hai.n". And that's the way it was, hiccups dissolving in measured sips of water. That's why the final baffled. Much in the mould of the mysterious Ronaldo seizures of 1998 afflicting more than a player but a team. But by assigning mystery, one places the defeat outside the scope of analysis. Which is wrong. Say it, we made a big howler. We didn't think. We lost it big time. We didn't say to ourselves "Do we want to let a mere attack of nerves spoil it for us?". We went blank, line-and-length lessons of a lifetime going poof! on the pitch. Srinath's late 90s brand of infuriating bowling re-incarnated. All this on a pitch that was assisting even spin! That's why we had to bowl first. And why did we even think about sledging! Tulsi Bhabi trying to play Bhiku Mhatre. I'm surprised Hayden didn't say "Tum jis school ke vidhyaarthii ho, hum us school ke headmaster reh chuke hai.n". But, giving credit to the Aussies, it was a near perfect batting display. An occasion when the phrase near chanceless innings applies not just to an individual but to the entire team. It was like being in a very, very bad dream, as an Indian spectator. It was too perfect to be real, but it was, it was. I cannot remember anyone getting to 300 plus scores losing only 2 wickets. Heck, they didn't lose wickets even in the slog overs. That batting display was a miracle, too superhuman even for the Aussies. But I saw it happen too.
Interestingly, the Indians fought, so much that probably the only person to take things rashly was Sachin Tendulkar. Even when Pakistan put up 314 in Dhaka (another innings that comes close to the final in terms of its depressingly (for an Indian) merciless innings), arguably, no one except Sachin, Saurav and Robin thought we would make it. The regularity of chasing 300-pluses meant that this team wouldn't mind taking a shot at it, but we've seem to have hit the magic thresholds in the 300 region that will be chipped away at in the manner of the 4-minute mile or the 10 second sprints, there will not be a mega-improvement in the psychological steeliness required for one attempting these Herculean, sporting tasks.

Messrs. John Wright & Co. came close but failed by a distance. In the process, they taught us interesting lessons: never take your eyes of the ball, go for your opportunities when they come because the rivers don't part to make way for you every time. They were right in talking about the final as just another game, thus hoping to rein in the monster, but failed to pull it off in reality. Little did Sandy Berger know that the threads would come loose after withstanding one buffet after another. We are the real story of the 2003 World Cup: we made the conversations interesting and in our loss, we have provoked more thought. But where will we go from here? I don't believe (unless we have an Australia-like 4 years, going from strength to strength) we'll have a super team again in the next Cup, but seeing that the Sehwags & Nehras emerged from the hinterland in the last 2 years, why not? Srinath won't be there and no Kumble too, maybe no Ganguly, Dravid won't be peaking again. And what does fate really have in store for Sachin Tendulkar? Only 5 digit aggregates and "arguably the best since..." arguments on the trophy cabinet? Will he have a peak or will it be a more spaced out mountain range? Will he get increasingly insecure about his place in the pantheons of gods (for the un-believers will start chirping soon)? The mental battles rage fascinatingly.

Post-script: Can't the people who vigorously slammed Dravid and waited for him to make a major mistake stand up and admit that he did pull off an almost unbelievable effort: no major messups (and what about Boucher & Sangakkara!) while maintaining a high average. This, for me, will be the most cherished memory of this underrated cricketer's, one of India's finest ever, contributions to his country's cricket. Hopefully, they will go back to dropping the seventh batsman and let Parthiv Patel, well, flower Flower-like.

Mar 22, 2003

Whatever be the result tomorrow, in my opinion the Indian cricket team has gone farther than any other team before it: drawing whoops of pleasure from the lay cricket watcher, but a quiet I-told-you-so from the serious Indian fan.
I've considered my loyal following of the team and I have to permit a sense of euphoria that I can share with some of my friends, Gaurav & Harish in particular, our belief has been vindicated to a large degree, I'm sure a feeling we share with not too many prior to the Cup. The reasons for our optimism were simple: the talent was too impressive to ignore. This has been the team that has achieved the most: Test matches won abroad (no great feat, but compared to the non-achievements of the past, a big change in fortunes), some great turnaround wins that will go down in collective cricket memory. They have just seemed to break with the past, and I'm happy Sachin Tendulkar, Rahul Dravid, Saurav Ganguly and John Wright have found themselves a team that can punctuate instead of puncturing their aspirations to cricketing greatness in their own chosen way. And for doing it without needing to be too ruffian-like like some other *aggressive* teams: not flinching in the face of the sledger but with no need to resort to the same behaviour.
That's why I still find it extremely shameful how people trashed the same team after the Australian loss: so what if they lose, badly at that? Who gives us the right to throw tar at a young cricketer's house? Don't people make mistakes in their own lives? These idiots surrendered their sense of worth to a game of cricket and derive their so-called national pride from a six over third man. No one asked them to, but they did. How difficult is it to take a skier staring into a pack of high-watted lights while a mob is ready to judge your sincerety on whether you can hold it in your sweaty palms, do we know? And when you consider this team has hardly gone about shouting down journalists' mikes claiming to be the "best" (and then getting a pasting from the very next day). So what if they appear in endorsements? Isn't it their right to make a living for themselves, to exploit their own skills for their own economic reasons: don't we try and use our own academic training to attempt pretty much the same. And no cricketer asks his ad to be aired the ironic & annoying moment after he has been dismissed. Still we gun for them. How consistent is our performance in our own lives?
Of late, I've been able to invest less emotionally in the game of cricket and India's performances in it. It has made it more easier to watch the game. Remember, our generation grew up with the cricket boom, and endured the many disappointments of Sharjah & World Cup fiascos & idols-turned-ordinary-men & the crassness of crowds and cricketers and administrators alike. Finally, we have a chance to legitimately claim we're among the top three nations in this beloved sport of ours, let's not spoil it by yo-yoing with the unpredictable results.
And hopefully, by about 9.30 pm on the 23rd of March, 2003, the xxx3 year trend ('83: World cup, '93: Hero Cup) will have found more takers and Sachin Tendulkar will not have one notable fact attached to his valiant name: of being the greatest player never to win a World Cup.
While it hasn't been the most thrilling Cup, it has given us a great deal already. And if we simply seem destined to win, even the Indian team can't help but fulfil that?

Mar 20, 2003

Possibility:
Kenya beats India.
The final between Kenya & Australia (including the reserve day) is rained off.
Kenya are joint World Champions.

Mar 13, 2003

At 23, sitting at a desk 2 continents away from home, this is not the best thing to read right now: brings me back to all those questions that continue to whirr away just out of focus in the back of my mind-frame.
Was led into it by this Slashdot story.

And while on the subject:
COUNTER GIRL
(zombie like)
Smile, you're at Smiley's would
you like to try our new bacon and
egg fajita, just a dollar twenty-
nine for a limited time only?

LESTER
Actually, I'd like to fill out an
application.

She stares at him, confused by his age and attire.

COUNTER GIRL
There's not jobs for manager, it's
just for counter.

LESTER
Good. I'm looking for the least
possible amount of responsibility.

:: American Beauty

Mar 11, 2003

In response to Anu Garg's appeal on his successful mailing list, A Word A Day, to spread the word on his book.

.........................................................................
Here are details about the book:

A Word A Day: A Romp Through Some of the Most Unusual and Intriguing Words
ISBN: 0471230324
http://amazon.com/exec/obidos/ASIN/0471230324/ws00-20/

"A delightful, quirky collection."
-The New York Times, Nov 28, 2002

"Indefatigably jaunty hilarity."
-The Observer, Jan 19, 2003

"Part reference work, part entertainment, English teachers, addicts of
Scrabble, solvers of crossword puzzles, and other bibliophages will enjoy
this book."
-Times Literary Supplement, Jan 21, 2003

"Triggers the kind of passionate reaction that actors, authors and
memoirists would die for."
-USA Today, Jan 1, 2003

See all reviews at http://wordsmith.org/awad/book.html

Get the book at your local bookshop or online at:
http://amazon.com/exec/obidos/ASIN/0471230324/ws00-20/

.........................................................................

Mar 9, 2003

Hopefully coming soon:

Lo mei.n aa gayaa!
Home, Joy, Jug-dish
The Booktaker
8 hours
Catch me if you can
Tipsy Irishmen
The Glaze
Crib-Brit
Documentaries

Mar 7, 2003

The biggest days in the COEPian social calendar are here. The college's annual gathering begins today (I think).
And Sunday is the biggest day with Chakravyuh, COEP's own quiz, now in its Third Edition (little khushi ke aa.nsuu here). The Sabyasachi trophy will go out to the winner of this Open Quiz. The Abhimanyu trophy will be claimed by the best COEPian quizzer in a Mastermind style intra-COEPian event. I won't be there (boo-hoo), and I'm sure to miss a great show. The organizers have promised a super show and a little peek under the tent has revealed a special format, but my lips are sealed...

And to round it all off: The 75th Annual Regatta of the COEP Boat Club will literally light up the Mula river the same evening. Will miss the Kayaks, Arrow Formation & the glorious Punt Formation (here's hoping this year's show will be better than before).
Awaaz COEPcha!