A little bit of this, that and more
The benefits of an evening shower (I mean rain, nothing personal) are that
strange things happen when the setting sun throws in its colour palette.
Yesterday evening, an orange glow suffused everything outside, a thick
coat mixed with the odd mauve. It was as if someone just turned on one
of those commonly known tungsten filament light bulbs, albeit a giant
one. Or maybe it was ol' Thomas Alva showing off up there again. Ok, but
you also made about 2,344,589 bad ones, so stop blowing your gramophone!
On the other hand, the Splashability Quotient of everything went up
by many a power. Those motorbikes with unprotected rears are suddenly
spouting their own theories of how a water-fountain operates.
********
Heartbreak Henman did it again, only this time for a change at Roland Garros.
Since even Phil Mickelson won a Major last year, we'll still hope
for good old Tim. Most of all, I'd like him to win a Slam for the
sake of his wife Lucy. She is my most favourite entourage person,
you know, the wife|girlfriend|partner (reflecting changing preferences,
of course) to whom the camera cuts to on 15-40 needing a second serve
to stay in the match. Actually, more often than that. There's something
about the Henmans, even his parents. They're ... so British if you know
what I mean.
********
Great to see tentative trailers of
Raghu Romeo on TV. Means that
Rajat Kapoor has found a distributor. The film was a winner of a major award at
a Mumbai festival last year and Vijay Raaz as
Raghu Romeo would be
worth a look.
********
Sun TV has a new series (started about 3 weeks ago) that's quite a departure
from their usual programming mix. Each week features a look at a classic
film that in some way influenced Tamil Cinema.
Andha Naal (
That Day)
was the choice this time. This was quite a bold experiment as it had no songs,
featured upcoming star
Sivaji Ganesan in a negative role and inspired
by
Rashomon, had a screenplay and story of merit.
********
Finally caught a complete episode of
Curb Your Enthusiasm that features
Seinfeld co-creator
Larry David. Directed by veteran
Andy
Ackerman (Frasier, Seinfeld), the writing as usual is sharp and observational.
The camera settings aren't fixed and the dialogues seem ad-libbed (not sure
if it is significantly impromptu or cleverly designed that way), all ensuring
that it looks ultra-realistic and natural. Larry David is all that I thought
he'd be: cynical, individualistic and acerbic, which allied with the plausible
situations, comes out to be quite funny (but all this is based on just one episode).
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